![]() ![]() Green says that the idea of “growing a soul vs. ![]() ![]() It’s also about the ecology again, and the fate of the world, which is horrifying to all of us.” “It’s about love, and it’s about corruption, it’s the perversity of power. One thing that both writers saw eye to eye on was preserving the themes of the original movie: “In this one, like the last one, there were a couple of things,” says Fancher. Read the full Den of Geek NYCC Special Edition Magazine right here! How did this happen?’ Because he worms his way into my life in various ways.” (Fancher and Green - the writer, not Fancher’s friend - never directly collaborated, but did speak on the phone and met several times during post-production.) “My agents called me and said, ‘Do you know Michael Green?’ Michael Green happens to be the name of one of my best, earliest friends, who is not a writer. “I called them and said - I don’t know anything about comic books, but I said, ‘Get somebody who is like some young guy who understands comic books and knows that shit.’” (Green has written several graphic novels for DC)īut Fancher was initially alarmed when he heard who the producers had chosen. I’m not sure I ever got to that place, but I decided to get over that anyway and pretend so.”įor his part, Fancher hoped that his treatment wouldn’t be turned over to a Hollywood veteran but someone more in touch with the pop culture of today. “I actually look back at old emails trying to get a sense of the timeline for this, and I found the first emails where the idea of it even came up, and there was a process for me to wrap my head around the idea that I deserved to have any voice in it. “It is the classiest film I can name and I am not the classiest person you will meet,” jokes Green about getting involved with the project. Fancher wrote his 80-page treatment, with final screenwriting duties turned over to Michael Green ( American Gods, Logan). But Scott declined to direct the sequel himself, selecting instead the masterful Denis Villeneuve ( Arrival). Dick, author of the original novel Do Androids Dream of Electric Sheep? - the man most responsible for the Blade Runner universe and its massive impact on the culture since. “Ridley,” of course, was Ridley Scott, director of the original Blade Runner and - with Philip K. ![]()
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